In 1951, the photographer Edward Steichen, serving as the director of MoMA’s Department of Photography, organized an exhibition devoted entirely to abstract photography. The 150 images featured in the show ranged from fine art pieces to scientific studies to light drawings, including meticulously planned compositions and works made by happy accident.
Today, the individuals included in that exhibition read as a veritable “who’s who” in photographic history: Eugene Atget, Harry Callahan, Laszlo Moholy-Nagy, Alfred Steiglitz, Paul Strand, Edward Weston, and many more. At its heart was a simple question: was photography, as an art form, truly as realistic and literal as many believed, or was it far more experimental than some imagined?
All these years later, it seems that question remains to be answered. If popular social media hashtags like #stayabstract, #abstractnature, #bluronpurpose, #photoimpressionism, and #urbanabstractions are anything to go by, our taste for abstract photos hasn’t faded over the generations. Abstract photography continues to fascinate, perplex, and surprise us, whether we’re visiting a museum or browsing 500px.
When we talk about abstract photography in this piece, we’re referring to pictures that aren’t literal. Instead of showing us easily identifiable figures (a person, a building, an object), they break them down into colors, shapes, textures, and forms. Abstract photos are the ones that make you stop and ask, “What is that?” before realizing the answer was in front of you all along. Read on for our tips for making the most of this timeless genre.
Some of the most powerful macro photos are also the simplest and most accessible; they take something banal and commonplace and make them seem strange and otherworldly. The best place to start is close to home; a chipped paint job, an old table with a warm patina, an architectural or industrial detail, leaves in your backyard, or even a canvas you’ve painted yourself can all become subjects for practicing and refining your abstract photography.
The more you “train” your eye to see things outside of their original contexts, the better your abstract photos will be. Strip everyday objects of their meaning and purpose, and they become colorful forms for you to use and reinterpret.
In most contexts, the photographer’s instinct might be to avoid apertures that are too wide, shutter speeds that are too slow, and ISOs that are too high. These steps are important to maintaining the highest possible image quality, but in the case of some abstract photos, perfect sharpness and focus aren’t necessarily the goal.
Extremely shallow depths of field and bokeh, motion blur, and grain–seen as “mistakes” by most–can become creative tools for the abstract artist, who prefers the experimental over the literal. Whether you’re playing with intentional camera movement in a split second or creating abstract, minimal landscapes over several hours, there are many different ways to incorporate a long exposure.
No discussion of abstract photography would be complete without mention of macro lenses; extreme close-ups of almost anything, from soap bubbles, oil in water, and snowflakes to rocks and crystals to the human eye and hand, are inherently abstract. If you don’t have access to a dedicated macro lens, you can take your manual lens, reverse it, and attach it to your camera with extension tubes for a DIY solution.
Prism photography has skyrocketed in popularity in recent years–and for good reason. Placing a prism in front of your lens will help you control, bend, and wield any available light according to your vision, and it’ll also produce those dreamy rainbows and glass reflections for an abstract twist on your surroundings.
Aerial photography is more accessible than ever, and a birds-eye-view can transform even the most familiar places, from beaches to parking lots, into abstract tapestries of texture and color. Be sure to read our guide on drone photography to get started.
As the world-renowned photographer Joel Sternfeld famously said, “Black and white is abstract.” What he meant was this: monochrome photos mark a departure from what we’re used to seeing and experiencing, so they’re already abstracted from our reality. Of course, that’s not to say that color photos can’t also be abstract; it’s just that black and white can heighten the strangeness of your subject, obscuring its familiar context and transforming it into something new.
Remember when we said a shallow depth of field can create soft, abstract shapes? To bring out the textures of a surface, whether it’s bark from a tree or layers of paint, you’ll need to do the opposite and close down that aperture so everything is razor-sharp. Keep your ISO low, and consider using a high-power light source to reveal all those details. In this case, a high-megapixel camera is your best asset. Keep that macro lens and a tripod handy!
Reflections are natural tools for abstraction, whether they’re found on the rippling surfaces of water or the shiny sides of buildings. Instead of photographing ” the thing itself,” look for ways to find its reflection. Even an old broken mirror or piece of wrinkled aluminum foil you have lying around the house could work. Capture a street photo with a person’s reflection in a puddle? Flip it vertically for an abstract portrait.
Like reflections, shadows can be just as intriguing as the object casting them. To get those strange, abstract shapes, head out at the golden hour just before sunset when the shadows are longer and more “stretched out.”
You won’t get it right in-camera every time, and that’s alright. As long as you’re shooting with a high-quality, high-resolution camera and saving your RAW files at full size (this is important), you should be able to crop any extraneous details. Many artists refer to abstract photography as a process of “subtraction” for that reason. If, for example, you’ve shot a recognizable landscape, but when you get home, you notice an uncanny reflection on the surface of a pond, it’s okay to crop it and focus on the close-up details while removing the context of the entire photo.
Rainy day windows are popular photography subjects because they abstract whatever’s behind them; you can do the same thing with a piece of plastic, glass, plastic wrap, mesh, or anything else you have on hand–even water! Filters and gels are also perfect for this purpose.
As we’ve mentioned, top-of-the-line, high-resolution cameras can be perfect for abstract photography, but cheap cameras can also work if you want to get those bizarre distortions or effects. Pick up a toy camera or a disposable one and see what happens; you won’t be able to adjust your settings as you would with a DSLR or mirrorless camera, but you might capture some experimental photos you couldn’t get otherwise.
Film photography is more unpredictable than digital, and depending on your outlook, that could be its appeal. In recent years, photographers have been creating abstract photos with expired film or deliberate light leaks. Others have intentionally soaked their film in strange solutions, like lemon juice or coffee, which “destroys” the film to produce surreal colors and effects. You won’t have complete control over how the images turn out, but that’s part of the fun.
Another way to use film is to shoot abstract multiple exposures, though you can also do this if you shoot digital.
The “rules” of composition are important in any genre, but they’re especially significant in abstract photography; without context or a traditional narrative, the eye will rely on colors, shapes, lines, balance, and patterns to create meaning. That’s not to say you have to use the rule of thirds in every abstract photo you make, but it does help to understand what makes for a pleasing composition.
Your composition doesn’t have to be complicated; on the contrary, it’s often the subtlest and cleanest images that leave a lasting impression. Explore different ways of using negative space, and try “filling the frame” with forms and colors.
Don’t be afraid to move around and change your angle or perspective; look up, look down, and see if you can use your vantage point to create an unexpected view of something ordinary and familiar. Something we’re used to seeing from one direction could look completely different from another, so take a bunch of photos of the same thing to see what works.
We’ve spent much of this article discussing cameras, but some of the most iconic abstract photographers from the past, including Anna Atkins, Laszlo Moholy-Nagy, and Man Ray, didn’t use a camera at all. Instead, they made photograms using light-sensitive paper. You can do the same thing today, especially during sunny summer days. Just order sun-sensitive paper, create your composition with any opaque objects you have at home, expose it to light, develop it, and let it dry.
Abstract photography, like all abstract art, is subjective. It doesn’t follow the normal technical rules or guidelines of what makes a photo “good” or “bad.” Instead, abstract photos are often judged by how they make us feel, so consider the emotion behind your shot.
For example, a macro photo of a flower can inspire hope, while a reflective body of water on a cloudy day might inspire wistfulness or melancholy. Think about the mood you want to convey, and then use all the tips above to bring that emotion to life. If the photo makes you feel something, you’re on the right track.
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